Túatha dé Danann

There are days when frankly you don fila disruptor t know what planet you are on after work. When I do something I want to get involved at every level. It s always strange delegating to other designers and later to sign the product  my name is on there. Even if it was all under the same Balenciaga label, I had a hard time pretending I had done something if it hadn t  let s say I had to be involved to the greatest extent possible. At the same time, it can be a great pleasure once the machine is assembled, and the ideas are flowing, and you are feeling generous. I created many things, but it can t last.

Ideally, I d like to give myself a six-month break, to travel and discover things. I m not sure it ll happen fila shoes because some interesting projects are on the horizon. Ever since I started at Balenciaga, I ve had offers and until now I declined. It was important to have 15 years of collections and shows. I am proud of the fact that at Balenciaga I followed a straight line, fila sneakers almost from beginning to end, that was extremely focused and coherent. I was very free. It was my perspective on Balenciaga and I am very proud of what it is today. It would be a mistake to try to reproduce what I created there. I ll never ape it.

Given the projects and the offers I have on the table, the trick is to think about what is most inspiring, what can become a new way?of working. It is not a question of inventing, but identifying a new way to make things, to present them, fila shoes womens the rhythm of selling them. There are many questions to answer, but not with the classic Balenciaga format.Rigid seasonal structure, presentations, delivering collections in the classic sense, developing a retail and distribution system that starts with wholesale, to have enough funds to set up our own stores that can take over from wholesale, perfume licensing at one moment.

It couldn t be a gimmick or the hit of the season; it had to be a classic. I wanted something floral but a sort of floral decoy, nothing nice or precious. All the original perfumes were floral. Le Dix was based on the iris  it could have been the other Chanel No.5 of the period, although it came out later in 1937. We went with violet in this case, which can smell a bit decrepit. At the same time I told them I loved the smell of gasoline and gas stations; it s a smell that we all know. I am not saying its suitable for a fragrance, but I liked that it was urban and captured life as we know it.

They also encapsulate Ghesquière s?overall fila disruptor 2 practice sprung from a world of mediagenic stimulation and not from couture alone, as was the case for an earlier generation. According to his current and former design staff, Ghesquière reacts favorably to what s weird, unusual, and surprising and will dismiss the obvious and commonplace. A young, excitable Florent Buonomano holds the unprecedented position of iconographer within the designer s reconstituted design team. Buonomano, who says Ghesquière s work  hit like a Tsunami when he was 14, combed the Internet and the media for catalytic images at the pace of 20 30 a day while at Balenciaga.